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one paper reports on what data loungers think. Hysterical.
see link
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by:
Anonymous
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reply 601 |
08/22/05 @22:47 |
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r601, I read that long ago when I was first googling nic & naomi (as I was desperate to find evidence). It is quite funny how they quote dl. he he.
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Anonymous
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reply 602 |
08/23/05 @02:56 |
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>"Nicole was always there with her door open, her arms open, her ears open - just what you need."> Sure, her arms open, legs open.....
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by:
Anonymous
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reply 603 |
08/23/05 @03:24 |
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Ooh, can you even imagine being cradles in Nicole's arms and wrapped in her legs!! Holy shit, Naomi is one lucky girl.
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by:
Anonymous
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reply 604 |
08/23/05 @03:49 |
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Meanwhile, if you think we're sad, look at the mainstream media clutching at straws: "Nicole hasn't settled with anyone else since the divorce, because they aren't as smart or together as Tom" (from the latest In Touch) Tom? "together"? Dear lord!
see link
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by:
Anonymous
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reply 605 |
08/23/05 @06:12 |
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R601 No wonder they went out and got boytoys. It was becoming too obvious.
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by:
Anonymous
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reply 606 |
08/23/05 @07:10 |
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haha r605. I agree... seriously every guy she's seen with ANYWHERE is her future husband/man according to the tabloids. Love it. Plus her dating Bing is hilarious, I can't think of a decent women who would ever want to touch him after the whole Liz Hurley story.
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by:
Anonymous
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reply 607 |
08/23/05 @10:35 |
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Just because she's so damn cute... screenshots of Nicole from Stepford Wives:
see link
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by:
Anonymous
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reply 608 |
08/23/05 @17:07 |
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bumpity bump.
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by:
Anonymous
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reply 609 |
08/24/05 @04:49 |
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Guess what I found? :D
see link
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by:
Anonymous
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reply 610 |
08/24/05 @07:42 |
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OH GOOOD!! I do believe that I want to marry you, 610! Thank you, a thousand times thank you! How did you do that?
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by:
Anonymous
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reply 611 |
08/24/05 @07:46 |
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go look at 610's picture bump
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by:
Anonymous
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reply 612 |
08/24/05 @15:20 |
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"I do believe that I want to marry you, 610!" Watch out, I might hold you to that. ;) "How did you do that?" Same way I found all the other pics... by spending way too much time looking. And a bit of luck. Also... I updated the gallery with this and some other pics I found. Nothing really new of course, but some I didn't have before on there, and a lot in HQ that were low res before.
see link
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by:
610 aka the one with too much time on her hands
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reply 613 |
08/24/05 @18:15 |
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Also cut that pic down for easier wallpaper use...
see link
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610
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reply 614 |
08/24/05 @18:17 |
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oh. my. GOD. ...thank you, thank you r610!! And for the record, I'm seriously missing some new candids of them together, the last were like the GG in feb/march. gah.
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by:
Anonymous
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reply 615 |
08/24/05 @19:46 |
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I was wondering about the rumours that David Lynch hadn't written the lesbian storyline in until after Naomi was cast. Is this true? If so, when was this revealed?
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by:
Anonymous
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reply 616 |
08/24/05 @22:39 |
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Rumour? heh, Lynch said it himself in interviews, it's hardly a secret. It's part of the whole long winding and complicated story of how Mulholland Dr came about. Go back a few pages where we discussed it if you want details.
see link
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by:
Anonymous
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reply 617 |
08/24/05 @22:54 |
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Yeah, I've seen it being discussed here, but not anywhere else, which is why I asked.
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by:
Anonymous
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reply 618 |
08/24/05 @23:09 |
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"FILMMAKER: Could you talk about the process you went through to re-conceive Mulholland Drive from a TV series into a feature film? DAVID LYNCH: [Mulholland Drive] started as an open-ended pilot. At a certain point, ABC saw that open-ended pilot and hated it. That could have been seen as a huge negative, but, in fact, it was a blessing. About a year later, Studiocanal bought it from all the parties that were involved from the beginning, and it came time for me to really commit to making it into a feature. I had zero idea how I was going to do that, so it was a time of high anxiety. One night, I sat down, the ideas came in, and it was a most beautiful experience. Everything was seen from a different angle. Everything was then restructured, and we did additional shooting. Now, looking back, I see that [the film] always wanted to be this way. It just took this strange beginning to cause it to be what it is. FILMMAKER: When you say you had zero idea of how to finish it, why was that? LYNCH: Because it was, you know, an open- ended thing in the beginning, and now it's a close-ended feature film. It was a big change, and it required ideas - ideas that I was so happy with when they came in. FILMMAKER: When you say the ideas came to you about how to finish the movie, in what form did they come? LYNCH: I sat down in a chair at 6:30. And at 7:00, they were all there. They came out of a kind of darkness and made themselves known. FILMMAKER: Then what happened? LYNCH: I wrote them down right away, because if you forget something like that you commit suicide. It's important to write them down in a certain way so they'll always trigger those [same] ideas again. Pretty quickly after that I started writing out how to reshape things. I restructured and added [material]. FILMMAKER: Can I ask more specifically what those ideas were that came to you in that half hour? LYNCH: The ideas were how to make an open-ended thing restructured so it would hold an ending. It was strange because it was as if the clues were all there in the original script, but they weren't really. I don't know how to explain it. it was strange."
see link
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by:
Anonymous
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reply 619 |
08/24/05 @23:37 |
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"Lynch casts the actors in his films by sorting through stacks of head shots. When he sees a face he likes, he calls the actor in for a meeting without regard to the qualifications listed on the back of the picture. There is never any auditioning, just a conversation. "He asked me about my life and I asked him about his life," Watts recalls. "It was just an exchange between two humans, which is completely irregular. Normally it's all about testing and selling, all that stuff."
see link
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by:
Anonymous
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reply 620 |
08/24/05 @23:37 |
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"Questions aside, audiences will surely be buzzing about the lesbian love scenes. The scenes weren't part of the television pilot, and Harring recalls exactly when they emerged as part of the film. “David said he wanted to have a meeting,“ Harring says. “He said, ‘We're making this into a film. I have 18 more pages.’ We got so excited. We were yelling and screaming, and then he put his hand out and goes, ‘But there's going to be nudity.’ “He'd put his hand out so we could shake on it,” she says. “So I shook his hand, all excited, but later I was like, ‘What did I just do?’ It didn't sink in that there was going to be some nudity. But after that we just trusted David. We didn't discuss the details at all."
see link
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by:
Anonymous
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reply 621 |
08/24/05 @23:39 |
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"Lynch had created a sensation with the television series "Twin Peaks" in 1990, but he says it was only the open-ended nature of the "Mulholland Drive" story that made him want to go back to TV. "I was just in love with the idea of a continuing story. Television is a heartache. It's bad-quality picture, bad-quality sound and it's goofed up with so many things." When the networks decided they hated "Mulholland Drive," he says, "It thrilled my soul." The original two-hour pilot remains intact in what is now a 146-minute film. When Lynch came up with the financing to develop it into a story with a beginning and an end (well, sort of), he was able to go back and add a few embellishments. In addition to lesbian love scenes, a masturbation scene and the disruption of the entire time-space continuum, he has come up with the usual complement of scenes that appear to make no sense whatsoever. He says he doesn't always know how he comes up with his more baroque ideas, but he likens the process to Nikola Tesla's invention of the alternating-current motor. "In one instant, he saw coming to him -- every screw, every turn of the copper wire, and the knowledge of how it works," Lynch said. "So these ideas might come like a pop of electricity, but the whole thing is there -- the sound, the mood, the character, the way they talk. It's important to fall in love with ideas, then stay true to those ideas."
see link
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by:
Anonymous
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reply 622 |
08/24/05 @23:45 |
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Whoa, thanks a bunch. I was too lazy to dig it up. It's definitely implied, but I honestly don't see anything that confirms that the addition of the lesbian storyline was influenced by his meeting with Naomi,as she was already part of the project before they found out it was rejected and they were turning it into a movie. I don't know, really, I'm just not completely convinced. That would certainly be something.
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by:
Anonymous
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reply 623 |
08/25/05 @00:15 |
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It's likely, but I don't think we'll ever know for sure. I'm choosing to believe it's how it happened. Just because.
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Anonymous
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reply 624 |
08/25/05 @00:41 |
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r610 - will you marry me? Now, please? That made my day.
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by:
the one who is dying
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reply 625 |
08/25/05 @00:46 |
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All the pictures of Nic and Naomi at functions together always display high affection - but they don't look that close in paparazzi pictures. Or maybe that's just because they can't take photos of them when they're indoors? eh eh eh? *wink wink nudge nudge*
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by:
Anonymous
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reply 626 |
08/25/05 @01:56 |
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^LOL... well I think it's different when you go shopping and stuff, when you're in front of the cameras you're posing. Like when I take a pic with my and my friend we don't stand feets apart, it naturally brings you together.
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Anonymous
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reply 627 |
08/25/05 @08:57 |
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What's interesting about Naomi and Nicole is that they preserve their relationship by not exposing it to the media, which is something most couples fail to achieve. They are very protective of each other and cherish their relationship a whole lot more than they do with whatever it is they share with their respective boytoys. That, to me, is one of the reasons why their is still very much alive, even after they both reached to stardom. I think thats beautiful.
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Anonymous
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reply 628 |
08/25/05 @10:50 |
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it is beautiful r628, whatever it is that they have.
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Anonymous
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reply 629 |
08/26/05 @01:35 |
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I can't believe we managed to manufacture such a beautiful thread on DL.
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Anonymous
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reply 630 |
08/26/05 @05:42 |
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